There were rich tweed coats in icy blues and shimmery black and skirt suits, some of which were styled with shiny, blossom-printed bodysuits underneath. The rich colours of deep blues and metallic blacks recalled the Coromandel screens that served as the starting point for the Creative Studio, as Gabrielle Chanel was an avid collector of these lacquered, intricately painted pieces of Chinese art.
Though the embroideries and knits looked opulent, there was a feeling of ease about this collection, a sort of glamorous nonchalance in the way a pair of jeans was styled with a classic Chanel jacket or a gleaming gold suit was cut loose and cropped. These were couture-level pieces but without a hint of preciousness. They’re beautiful, otherworldly clothes brought down to earth by their wearability and inherent sense of cheeky cool–a winning formula for the label now and for whoever takes Chanel on next.
All images: Courtesy of Chanel
This article originally appeared in Harper's Bazaar/US on December 03, 2024.
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